Léon Carré

Léon Georges Jean-Baptiste Carré (Granville June 23, 1878 - Algiers December 2, 1942) is an artist in the Orientalist style and an illustrator.

He was a student of Mathurin Mehut in Rennes, and in Paris of Léon Bonnat and Luc-Olivier Merson. He was a double Chenavardaward winner. He exhibited at the French Salon des Artistes in 1900 at the Salon des Independents, and made his first trip to Algeria since 1905, in 1907, the Salon de la Société Nationale des Beaux-Arts since 1911, and the Salon d'Automne. He was the first holder and winner of the scholarship from the Villa Abd-el-Tif in 1909, and sets in Algiers. He worked in oil, gouache and pastel. He contributed in 1927 for the Transatlantic company the decoration of the liner "Ile de France", as well as many posters (including the Centennial Algeria in 1930), now found in the PLM Company.

Henri Lucien Cheffer

Henry Lucien Cheffer (Paris, December 30, 1880 - May 3, 1957) was a French painter and engraver. He produced French banknotes and postage stamps.

Coming from the School of Fine Arts where he was a pupil of Leon Bonnat, he won the Prix de Rome in 1906. Member of the french artists Salon, he exhibited exclusively in this show. He illustrated books and has participated in twenty-five to the illustration. Banks of French Algeria, Tunisia, the Netherlands and Dutch East Indies have used him for their banknotes.

In 1911, he engraved his first stamp. He worked for Persia, Belgium (the stamp bearing the effigy of Albert I dressed as a soldier), Luxembourg, Denmark and Spain, before being engaged in projects for the French positions in 1929 . His first two french stamps were "the port of La Rochelle and the Pont du Gard; many of his stamps had touristic scenes. In 1931, he designed projects for Stamp Exposition coloniale internationale de 1931: a scene typical colony. But they were denied in favor of two other themes. In 1933, his "Aristide Briand" was issued, printed typography.

In 1954, his project for Marianne stamp use is denied. After his death, the project was finally chosen in 1967

Emile Deloche

Emile Deloche was a prolific French engraver, his portfolio includes dozens of banknotes.

Edmund Dulac

Edmund Dulac (born Edmond Dulac, October 22, 1882 – May 25, 1953) was a French book illustrator prominent during the so called "Golden Age of Illustration" (the first quarter or so of the twentieth century).

Early life and career

Born in Toulouse, France, he began his career by studying law at the University of Toulouse, but also followed classes in the Ecole des Beaux Arts, switching full time to art after he became bored with law, and also having won prizes at the Ecole des Beaux Arts. He spent a very brief period at the Académie Julian in Paris in 1904 before moving to London.

In London, the 22-year old Frenchman was picked up by J.M. Dent and given a commission to illustrate the collected works of the Brontë sisters. He then began an association with the Leicester Gallery and Hodder & Stoughton; the gallery would commission paintings from Dulac and then sell the rights to Hodder & Stoughton, who would publish the books (one book a year over many years) while the gallery would sell the paintings. Books produced under this arrangement by Dulac include Stories from The Arabian Nights (1907) (including 50 colour images), an edition of Shakespeare's The Tempest (1908) (including 40 colour images), of The Rubaiyat of Omar Khayyam (1909) (including 20 colour images), The Sleeping Beauty and Other Fairy Tales (1910), Stories from Hans Christian Andersen (1911), The Bells and Other Poems by Edgar Allan Poe (1912) (including 28 colour images and many monotone illustrations) and Princess Badoura (1913). During World War I he contributed to relief books, including King Albert's Book, Princess Mary's Gift Book, and, unusually, his own Edmund Dulac's Picture Book for the French Red Cross (1915) (including 20 colour images). Hodder and Stoughton also published The Dreamer of Dreams (1915) (including 6 colour images) - a work composed by the then Queen of Romania.

In 1995, Ann Hughey compiled a bibliography - Edmund Dulac - His Book Illustrations: A Bibliography, which lists over 800 editions of works that include illustrations by Edmund Dulac.

Later life

After the war, the deluxe edition illustrated book became a rarity and Dulac's career in this field was over. His last such books were Edmund Dulac's Fairy Book (1916), the Tanglewood Tales (1918) (including 14 colour images) and the exquisite The Kingdom of the Pearl (1920). His career continued in other areas however, including newspaper caricatures (especially at The Outlook), portraiture, theatre costume and set design, bookplates, chocolate boxes, medals, and various graphics (especially for The Mercury Theatre). He designed postage stamps for Great Britain. He designed stamps (Marianne de Londres series) and banknotes for Free France during World War II. He also produced illustrations for The American Weekly, a Sunday supplement belonging to the Hearst newspaper chain in America and Britain's Country Life. Country Life Limited (London) published Gods and Mortals in Love (1935) (including 9 colour images) based on a number of the contributions made by Dulac to Country Life previously. The Daughter of the Stars (1939) was a further publication to benefit from Dulac's artwork - due to constraints related to the outbreak of World War II, that title included just 2 colour images. He continued to produce books for the rest of his life, more so than any of his contemporaries, although these were less frequent and less lavish than during the Golden Age.